鹿目圆

鹿目圆
	;
名字(日语)	鹿目まどか (Kaname Madoka)
CV	悠木碧
年龄	14
武器	弓箭 ;

"如果有人说心怀希望是错误的事，不管几次我都一定会出言反驳，不管到什么时候。" - 鹿目圆, 第12话.

鹿目圆是《魔法少女小圆》的标题女主，又称为小圆。和许多魔法少女动画一样，第一话的小圆做了个莫名其妙的预知梦之后，遭遇神秘女角色的袭击，机缘巧合之下把一只可爱的宠物从危难中解救下来，随后该宠物便承诺给予小圆神奇的力量、把小圆变为爱与正义的魔法少女……

基本信息

称呼

日文 | 鹿目まどか（かなめまどか／Kaname Madoka）
中译 | 鹿目魔户香（最初）、鹿目圆、鹿目圆香（正式）
昵称 | 小圆、粉圆、圆神、Kriemhild Gretchen、馒头卡^{[注 1]}
英文称呼 | Ultimate Madoka、MadoKami、Godoka

角色设计

~~跟奈叶一样~~平凡的初中二年生，就读于见泷原中学，与美树沙耶香、晓美焰、志筑仁美一个班级
班里的保健委员
年龄14岁，生日10月3日，血型A^[1]，身高150cm^[1]（152cm左右^[2]）
印象色粉红。灵魂宝石为水滴形状，变身后佩戴在锁骨间~~prpr~~
「もしも――もしも、だよ？魔法でどんな願い事でも叶えてもらえる、って言われたら、どうする？」
五人当中最矮，胸部最平（其实跟小焰不相上下），成神后的乳量说法不一
拥有不可思议的魔法少女的潜质

以下翻译自puella-magi维基：

苍树梅关于小圆人设的访谈
NewType 2011-07 的虚渊玄访谈：小圆的角色设计是基于向阳素描里的由乃

性格

废怯心地善良，和平主义者，秩序善良阵营
在之前的轮回里勇敢而果断
希望帮助他人，实现自身的价值
一直在哭，~~从不变身~~
对于自身“无法拒绝他人”的性格非常清楚，所以不敢向QB询问复活学姐的方式
憧憬厉害又帅气的麻美学姐
和美树沙耶加从小一起长大，非常要好，不惜变身为魔法少女以拯救沙耶加
喜欢小猫曾经为了救黑猫艾米而许愿成为魔法少女
遵循妈妈的悉心教导
一直试图相信晓美焰
~~天然黑，位于攻受食物链的顶端~~

以下翻译自puella-magi维基：

总是以“酱”“桑”称呼周围的人，除了上条君，因为顾虑到沙耶加的恋爱之心。PSP游戏里琴剑走到一起之后，小圆便更亲密地称呼上条了
虚渊玄在 Blu-Ray_Volume_4_Booklet#Gen_Urobuchi_.28Screenplay_for_All_Episodes.29_.26_Akiyuki_Shinbo_.28Director.29_Conversation_Part_1 说他把鹿目询子设计成女强人角色，而小圆则憧憬这一份勇气和实力
- 小圆之前感觉自己太没用，不适合做魔法少女，可能是因为她以母亲为标准来衡量自己，觉得自己不行。
  - 有人认为小圆如此不幸的原因是她希望得到力量来变得无私以此来摆脱不幸。QB利用这一点来操纵小圆的思想，让她把自己的愿望建立在内疚之上。它试图让小圆相信她自己可以通过做出无私的许愿来从不幸中解放。
  - 如果没有成为魔法少女的愿望和经历，小圆这样的角色永远不会成长为一位勇敢的英雄。但是，她作为废怯少女的经历——常常为众多生命逝去而哭泣悲伤，总是希望做正确的事但力不从心，试图救下朋友和陌生人却失败，还有为被精明冷血的外星人所欺骗的无辜少女感到的悲伤——让小圆最终得到了勇气去征服恐惧，拯救小焰和世界，而非屈服于绝望而逃走。这是第十一话和她母亲在一起的片段给我们留下的印象。
在第六话，询子和小圆进行了一段交谈，关于就算在谁都没做错事的情况下，要做正确的事有多难。询子给小圆的建议是为了解决问题而不惜对朋友犯错，就算这意味着会被朋友讨厌也好。在第十一话询子当面阻止小圆跑入危险的风暴，小圆提醒她妈妈说她自己是个好女孩从不做错事但她必须做这件事，这使话题又回到了之前的那段交谈。小圆知道她所做的事会使家人担心，但她也知道她必须违背她的母亲去拯救家庭和小镇。这段对话使询子对她放心。
在广播剧CD“Sunny Day Life”中提到小圆过去经常成绩很好，但她作为魔法少女的职责干扰了她的学习。
- 值得注意的是小圆的成绩依旧比沙耶加好。

捏他

小圆的声优悠木碧是杏子的大粉丝^[3]
- BD第5话副音轨里凹酱大呼杏子俺嫁
  - ~~糟糕，蓝毛又黑了~~
  - ~~千和你怎么了千和~~
- BD第7话副音轨再次告白 goes even more gaga
- "C81 Aniplex Madoka Special Talk CD" 又……
圆神总攻，魔法少女后宫王 her own harem
天才竹刀少女
ウェヒヒヒヒ／ｳｪﾋﾋﾋﾋ你可以在这里听到它 (或是这里.)
子页面“鹿目圆/AA”收集了一些小圆的AA图（Ascii-Art）
职阶为挂逼Archer
まどかタイタス^{[注 2]}
於廣播劇中出現的貓「艾米」，其名字來自於悠木碧飼養的貓，不過設定中這隻黑貓不是小圓家養的。
- 「愛咪」原本並不存在於虛淵玄的劇本中，在訪談中他提及這是SHAFT為了轉移觀眾視線才把黑貓加到OP中並刻意讓牠在宣傳圖中登場。可見虛淵玄也被SHAFT玩弄了。

以下来自puella-magi维基，待实证：

小圆的闺房里有许多毛绒玩具.
- One of Madoka's stuffed animals resembles Lady from Disney's movie "Lady and the Tramp".
Madoka and Mami are the only Magical Girls known who are never seen having a mark on any of their fingernails. Homura, Kyoko and Sayaka all have marks on their left middle fingers, matching the shape of the emblem of their respective Soul Gem.
Madoka is never seen with her Soul Gem in a ring form.
Urobuchi in his audio commentary on BD/DVD 3 explains that he felt like Aoi Yuki was born for the role of Madoka. What he means is that she doesn't force herself into the role of becoming her character and she leaves the impression of being a natural airhead, but in a good way.
Gen Urobuchi twitted that he chose October 3 as Madoka's birthday, because that was the day when the ‘Mahou Shoujo Apocalypse Madoka☆Magica Project’ document was created[1].
- The project was developed under the working title "Mahō Shōjo Mokushiroku Madoka☆Magica", ("Magical Girl Revelation Madoka☆Magica" or "Maho Shojo Apocalypse Madoka☆Magica"), a reference to the Bible.
  - 黙示録 specifically refers to the Book of Revelation.

台词集

经典台词（credit: K岛维基）
「假如——我是说假如，如果说用魔法可以实现任何的愿望的话，怎么办？」官網角色描述台詞。「真好。我也想收到一封呢。情书」第一话「但是这孩子在呼唤我！我听到了它的求救」「只是想做的话是不行的吗……」「仿佛在梦中见过的样子……」「我想那还真是让人高兴啊」「这样绝对很奇怪啊」「我最棒的朋友」「要对班上的大家保密哦☆」^{[注 3]} 「ハシャイジャッテ」

完整台词参看子页面鹿目圆/台词集

Speculation

下面是speculation（脑洞）章节，太特么长了
Some fans speculate that Madoka presumably made a wish for a large cake in one of the timelines, under the influence of Mami. However, this is highly debatable. Template:Spoiler Theoretically there is also the danger that, should Madoka become extremely powerful and turn into a witch, her power may be enough to destroy not only Earth, but the entire universe. INCREDIBLY unlikely. Kyubey's species is (if they can be trusted) trying to save the universe in the first place, not trying to destroy it. They wouldn't create something they can't take down. Then again, Kyubey remarked in the fourth timeline that he didn't know Madoka would turn out to be so powerful. While in this timeline he probably knows (and definitely doesn't care) that the witch form of Madoka could destroy the Earth, he may not know the full extent of her power. Madoka's wish includes a hidden if-then clause Template:Spoiler. Because her wish is to Template:Spoiler. Which is what we see happen. It is speculated that any wish Madoka ever made would be twisted because of the nature of the wish, according with Episode 11. Kyubey suspects that as long as the motives are selfish, the wish will always be twisted because the wishers' desire would always fail to meet their expectation. It is speculated that Madoka realized that as long as her thinking was selfish or incorrect, then her wish would also be twisted. It is suspect that Madoka contemplates what to do to save Homura and her town in Episode 11, without being caught into the snare of the wish's trap. Template:Spoiler A Philosophical analysis tries to determine Madoka's motive, Talk:Philosophical_Observations#Madoka_and_Minding_her_Motive An argument can be said that Madoka has two ways to develop her courage. One is through Kyubey by magic (which is the easiest path); the other way is more difficult and hurtful, the painful life experience and lessons she receives through friends, family members, and from strangers. But the most influential character in Madoka's life would be her mother, her source of wisdom, courage, and strength. The Drama CD "Memories of you", states that Madoka used to have low self-esteem and doubts about herself until she became a magical girl. It is suspected that the series is attempting to show the journey of a little girl growing up from a simple life that is then thrown into the realm of magic. From her innocent eyes she perceives the magical world to be good, fantastic, and pleasing. But once Madoka experiences the dark nature of the magic world, she attempts to escape from the dark world of magic and at the same time evade the cynical world of reality. During her scene with her mother, Madoka attempts to move from the hopeless world of reality into the realm of adulthood. However, because Madoka still retains her hopes and dreams some would suggest that Madoka, rather than being regressed into a childish person, is growing into a hopeful adult that dreams for a better future. This is considered incorrect. In the anime, so called "maturity" is metaphorized as, essentially, corruption—this is one of the most important metaphors in the anime (If we were never corrupted, we would never be "mature", our true images, when not corrupted, are images of naive children with pure souls, filled with hope, selfless love and compassion). When one becomes an adult, most likely she becomes a minion, a witch or a person whose true heart is blinded that she cannot resonate with other people and the power of the light side (hope, selfless love...). So it's OK to say Madoka grows up as herself but it's not good to say that she has become an adult, since most adults are called adults only because they're essentially corrupted. In a sense, you can say Madoka's maturity is the maturity of a person with the purist soul, but that wouldn't be necessary, and we should avoid using the words that are associated with "maturity" - "adult" is one of them. Madoka is the avatar of hope, she does everything because of the pure hope and good will, not because of some inferior conscious thoughts of responsibility, but a realization of her heart - the core of her soul, her subconsciousness, which is deep within her. I concur. In the anime, Kyubey refers to the magical girls as "puella" (in the title, which should suggest even greater significance). Puella, as he phrased it, referred to an immature girl. He also mentioned that these girls "grow up" into witches, implying that with maturity comes darkness and pain. The "adulthood" that is referenced in this series refers mostly to the dark side of humanity. During the old world, "maturity" is essentially the corruption of a girl's adolescence. Kyubey's process is an attempt to uncover the darkness and selfish nature of the girls by amplifying it during the developing period into a witch. Is not an issue of purity as much as an issue of naivete and inexperience innocence; Kyubey corrupts these girls because they haven't been exposed or experienced the gritty reality of the world. Their lives as magical girls shatter their ideal views of a mahou shoujo, in the case of Kyoko as an example. Even Madoka became a Witch, perhaps as a statement of the flawed nature of humanity. But there was also a message of hope, Ultimate Madoka, a version of hope and sacrifice that defeated her Superwitch counterpart. This new entity born of the same metamorphosis process overcame the corrupting process of the system and developed into a much more mature Madoka. The reason for this new change is because Madoka made her wish that reflected her part as a sensible young adult, with the guidance of self reflection and wise counsel from others. The previous Madoka versions failed because they didn't reach their natural maturity when they made their wishes; they made their wishes with the mental view of an innocent child who didnt fully mature or understood the world. This new Madoka carries with her the hopes of magical girls, not just her own. However, as a responsible adult she must fade from the world and help many girls by taking their impurities with her. Madoka knows that she cannot abandon them, no matter how much she would miss her family and friends. This new Madoka has inhered a new sense of maturity and adult responsibility. The process of maturing into a better person requires Madoka to inherit the traits that comes with adulthood. It doesnt mean that Madoka becomes a better adult automatically nor a corrupt adult either. It just means that Madoka cannot grow into maturity without taking the elements of adulthood with her. In the series, adulthood can much as mean corruption as well as a new sense of guardianship. In this new sense, maturity and adulthood are not exclusive. One can become an adult without maturing (a witch), but one cannot mature without becoming an adult. One great example of Madoka's maturity is respecting the magical girls' wishes and dreams by not undoing their wishes or undoing their deaths. Another example is Madoka's acceptance of the need of a system to repair the damage done to the universe. Madoka's system is not perfect but she attempts to adjust it to make it more fair. Rather than radically alter the world to an "ideal version" (or paradise, as Kriemhild Gretchen tried), Madoka accepts the world as it is and tries to work within it. Madoka is in the process of growing into a fine woman, just like her mother Junko. Madoka is not becoming someone like her mother, he mother is a good woman, but she's corrupted as well, only the soul of a young girl like Madoka, can be really pure. None of those girls are truly selfish, everyone, including the people who are very selfless, have selfish desires, but that doesn't make them selfish people. All the magical girls in the anime, are the ones whose nature is much more selfless than most people, they have the purest souls. The corruption doesn't just refer to the corruption of girls of adolescence, but of all people. It's not a metaphor of young girls, but of the whole humanity, every single human being on earth. This anime shows us that, the so called "maturity" in our world, is essentially corruption. People were naive children with pure souls, filled with hope, selfless love and compassion at the beginning, but they were eventually corrupted to become the so called "adults", who are essentially minions, witches or people whose true hearts are blinded. The ones with purest souls, like the magical girls in the anime, they're the ones who are taking the greatest damage and corruption(absorbing the greatest darkness) from the evil of the society, and they're the ones who are corrupted into witches (As metaphorized in the Bible, the arch-devils are fallen angels; in the anime, the purer the soul is, the stronger the magical power). The ones whose souls are not so pure, would eventually become the common adults (people whose true heart are blinded) or the minions of the witches. Also, as stated, conscious thoughts of responsibility is inferior, it is only a rough projection of hope and selfless love deep inside our subconsciousness, it is not to be followed. Madoka's heart resonates with hope, that's the power that leads her, not any conscious thoughts - only what's deep inside us is true, in a sense, all words are fake, since they can never completely describe what our true heart (subconsciousness) is like (the last sentence in the ending song Magia, "My feelings alone are all that I live for, what will create my life, is this, wish.", it is the feeling that is to be followed, not any conscicous thoughts). I would like to point out that there is a contradiction. If only the purity of Madoka's soul can save the girls. Then what does one make of the other girls? If Madoka is so pure and the reason she became a Witch was because of the corruption tainting her heart, then what changed in the end? If magical girls are not selfish, does that make them selfless? If so, then why couldn't they overcome their own corruption? One cannot be selfless and selfish at the same time, this in essence is a contradiction. To be selfish does not mean to be a bad person, it means that one has to meet the needs and demands of one self. This observation regarding selflessness is subjective. Mami wanted to live but she regretted her choice because she didn't think of saving her family at the time. Sayaka wanted to heal Kyosuke because she felt sorry for him, but she also admits too late that she also wanted his love. This is why Kyubey knows that any wish will be corrupted, because it gets twisted by its own logic. The taint made them selfish, this means the taint blinds them from seeing hope, and thus they're only controlled by their grief and despair. Madoka has selfish desires, but they vanished so quickly inside Madoka's heart because they're powerless, until Madoka is tainted by the darkness of the witch she had defeated(corruption thus pass from one to the other, and it is non-decreasing, like entropy). It is not the girls are not selfish at all, it is that though they're basically selfless, and they're much more selfless than most people, they have a desire to protect their own hearts. When darkness blinds them, their dark side is magnified while their good side being blinded, thus they become witches(notice that this is not a necessary cause of a magical girl being turned into a witch). One can be selfless and selfish at the same time, we have both the nature of selflessness and selfishness(desire to protect oneself), and when darkness blinds one, the two parts of us would be conflicting, and darkness may(or may not) win at the end. However, I do agree with this "To be selfish does not mean to be a bad person, it means that one has to meet the needs and demands of one self. This observation regarding selflessness is subjective.". Unlike Sayaka, Madoka probably gets corrupted not because her wish gets twisted. It is possible her wish only got twisted after she became a witch, not before it, so perhaps it is not causing her transformation into a witch. As for Kyoko, her wish is totally innocent and the fact that it is twisted has nothing to do with her selfishness, what has twisted her wish is simply, maybe we can say, uncertainty. Sometimes good wishes simply do not help people because of things that are unexpected. This is contradictory, all wishes get twisted according to Kyubey, because it never achieves the results one ever wants or expects. This is part of why girls gent transformed into Witches, it is part of the metamorphosis. This is already stated in Episode 11. Unless a counter-proof is provided, this is highly unlikely. In the case of Kyoko, while her wish was her innocent attempt to help her father, she failed to realized that she did not ask for her father's consent or opinion. Instead he felt he was used without his consent and that the magic spell was forced upon him. This is a very strong, beautiful and heart-touching metaphor. This is, as it has been said, one of the most important metaphors in the anime, which reveals us the corruption of the heart of humanity, and, behind it, a world hurrying to its ruin. An argument can be said that its message is also about the hope of humanity, that even beyond the shadow of corruption there is a veil of hope for those who strife for it. Madoka, instead of turning her back to a corrupt world, decided she wanted to save it. If the world is corrupt, then it is assumed that is beyond saving. Instead, Madoka sacrificed herself to change the world into a better place. The new world is not perfect, it is still plagued with flaws and corruption, but it is also a little bit fair and merciful. When it is said that the world is hurrying to its ruin, it doesn't mean it is hopeless, it simply means that without people's resonance with hope, without any change, the world will surely destroy itself. But there is always hope, as what Madoka has shown to viewers - hope can shatter all the darkness, and change the nature of universe, which is what will save humanity. Madoka's maturity, as it has been stated, is different from the maturity of becoming an adult(which is essentially being corrupted), it is the true maturity. The words associated with "maturity", like "adult", "adulthood", these words are of negative meaning in the anime(and in fact, essentially, in our world as well). We should merely say that she "grows up". This observation is essential to understanding the anime, it underlines that the story is of "coming of age" in an imperfect world. However, the series is not an attempt to attack adulthood, but illuminate the flaws of a cruel world that children are forced to grow into. The series attempts to reveal the serious difficulties and challenges that girls like Madoka, Mami, and Sayaka have to face in this cruel world. What message can one take from the series is up to the viewers. It is suggested that the series is actually revealing the dark truth of the so called "adulthood".

Magazine Article

July's NewType article

图片

官图

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Initial design
Original character design by Ume Aoki
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Madoka having a sleepover with friends
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Translated Ume 4koma from Madoka BD volume 1
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Translated Ume 4koma from Madoka BD volume 4
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Autographed illustration by Ume Aoki
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Ume Aoki's Dojinshi "RKGKMDK"
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Animedia 2011-06
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Megami magazine, April 2011.
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Nyantype magazine, April 2011.
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from the Blu-Ray Volume 1 Booklet.
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Madoka as drawn by Takashi Tensugi, the artist for Kazumi Magica.
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Madoka as she appears in Oriko Magica.
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Early production sketch of Madoka with Homura.
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Goddess Madoka from the production notes.
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Madoka Magica Anthology 1
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Ultimate Madoka by Ume Aoki.
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Animedia magazine, February 2012. Madoka's ring and fingernail mark as a magical girl are visible.
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Notice how Madoka's Soul Gem ring and fingernail marking are visible.
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Weekly SPA special image

截图

作为一个平凡少女的小圆

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Madoka x Madoka in the opening animation
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Closeup of sleepy-eyed Madoka in the OP
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Sleepy Madoka
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Madoka is shy
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Madoka's family
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Madoka everyday life
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Madoka & friends
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Madoka wakes up
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Madoka Sayaka Hitomi playing
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Madoka Kaname
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Madoka daydreaming about getting a love letter.
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Madoka with a ponytail
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Madoka crying
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Madoka received a gift
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Madoka is upset
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A self-portrait. Drawing is one of Madoka's hobbies.
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Closeup of Madoka's hands in Episode 10 (TBS version), Timeline 1, when she is walking Homura to the nurse's office. She is known to be contracted by then. Note no Soul Gem ring or fingernail mark.
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Madoka tied up on the wheel of time
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作为一个魔法少女的小圆

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Madoka dodging wheels
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Madoka dodging wheels
Madoka hug Homura
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Madoka Kaname, Total Badass.
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Madoka is purifying Homura's Soul Gem in Episode 10's Timeline 3. Again, note no fingernail mark.
Animated version
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Madoka's soul gem
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Madoka's transformation in PSP GAME

魔女化的小圆

Madoka-grief-seed.png

Madoka/Kriemhild's grief seed.
Madoka-witch-first.jpg

Madoka's witch transformation in the second timeline.
Kaname witch form power.jpg

Madoka's witch form.
Madoka the Ultimate Witch.jpg

A closeup of the face of the ultimate witch form of Madoka born as a result of her wish in the story timeline.

同人图

Template:同人图

Superfriends.png

Many experts believe something sort of like this happened after the final episode of Madoka Magica ended
Madoka fuels the Universe.png
Aoki ume madoka doujin art highrez.png

Fan coloring of Ume's work
Madokami art front back.jpg

Madoka as the Goddess/concept of Hope
Fan creation Madoka Soul Gem.jpg

Fan jewelry creation of Madoka's Soul Gem with a pink nebula inside (?) or a pink rose bud (?)
MadoKami gundam.jpg
Scary madokami.jpg

You shall have no other gods before Me. That includes that wannabe Haruhi.
MadoKami and Charlotte.jpg

Madoka rescues Charlotte.
Madoka evolution magical girl.jpg

Madoka has evolved into MadoKami!
It's tough to be a goddess.gif

No Mahou Shoujo Predator? But they are practically born into the hunting tradition!
Madoka learning how to befriend.png

Madoka learning from the master.
Meet the time traveler.jpg

Meet the Goddess
Namacha I Won't Allow That.png

MadoKami already abusing her Goddess powers, and we are fine with this.
Madoprince homuprincess.jpg
Chibimadokami.jpg

MadoKami died for our HHHNNNNNGGGGG~!
Madoka pixel mugen.gif
MadoKami all powerful fanart.jpg

Thou Shall Have no Other Anime gods Before Me.
Madoka ;p fanart.jpg
Madoka afro op fanart.jpg
Madoka Ben-to.jpg

"And thus begins the "that character sounds like Madoka, imagine if she was the one to say that" adventures with Aoi Yuuki's characters.
Madokami bow arrow aiming posture fanart.jpg
AeFLl-1.jpg

杂图

圆的弓

Madoka Bow.jpg

Rendition of Madoka's bow; it looks like a branch with a rose on its end
Madoka-bow-firing.PNG

Madoka's bow in action
Madoka-firing.jpg

You're gonna get befriended!
Animated version
Madokas-arrow.jpg

A close-up of Madoka's arrow
Madoka-multishot.jpg

Madoka using Multi-Shot
Animated version
PN 13.jpg

Sketches from production notes.
PN 14.jpg
PN 22.jpg

悠木碧

BLT Aoi Yuki.jpg

Aoi Yuki. BLT magazine, 2011-6.
Animedia 05.2011 Aoi Yuki DATA FILE.png

Aoi Yuki Data file.
Aoi yuki madoka.jpg
Seiyuu aoi yuuki 2008 article picture.jpg
Magical Girl Otona Anime 08.jpg

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注释

↑ 与madoka谐音
↑ 有人將小圓的Figure和Gundam AGE的Gundam AGE-01 Titus手腳合在一起，發現意外的很合
↑ 劇本上這句台詞真的畫著☆

出处

↑ ^1.0 ^1.1 出处鹿目圆香的100问
↑ 根据Production Notes人设身高图的计算
↑ Magical Girls Tea Party bonus CD

外部链接

[1] 与madoka谐音

[5] 有人將小圓的Figure和Gundam AGE的Gundam AGE-01 Titus手腳合在一起，發現意外的很合

[6] 劇本上這句台詞真的畫著☆

[100Q-2] 1.0 ^1.1 出处鹿目圆香的100问

[3] 根据Production Notes人设身高图的计算

[4] Magical Girls Tea Party bonus CD

[注 1]

[1]

[2]

[3]

[注 2]

[注 3]

鹿目圆

目录

基本信息

称呼

角色设计

性格

捏他

相关剧情

TV本篇及小说

广播剧

魔法少女和美

魔法少女织莉子

PSP游戏

台词集

Speculation

Magazine Article

图片

官图

截图

作为一个平凡少女的小圆

作为一个魔法少女的小圆

魔女化的小圆

同人图

杂图

圆的弓

悠木碧

更多

注释

出处

相关条目

外部链接

导航菜单

个人工具

名字空间

不转换

视图

更多

搜索

导航

工具

鹿目圆


名字(日语)	鹿目まどか (Kaname Madoka)
CV	悠木碧
年龄	14
武器	弓箭