鹿目圓

"如果有人說心懷希望是錯誤的事，不管幾次我都一定會出言反駁，不管到什麼時候。" - 鹿目圓, 第12話.

鹿目圓
名字(日語)	鹿目 まどか (Kaname Madoka)
CV	悠木碧
年齡	14
武器	弓箭

鹿目圓是《魔法少女小圓》的標題女主，又稱為小圓。和許多魔法少女動畫一樣，第一話的小圓做了個莫名其妙的預知夢之後，遭遇神秘女角色的襲擊，機緣巧合之下把一隻可愛的寵物從危難中解救下來，隨後該寵物便承諾給予小圓神奇的力量、把小圓變為愛與正義的魔法少女……

基本信息

稱呼

• 日文 | 鹿目まどか（かなめ まどか／Kaname Madoka）
• 中譯 | 鹿目魔戶香（最初）、鹿目圓、鹿目圓香
• 暱稱 | 小圓、粉圓、圓神、Kriemhild Gretchen、饅頭卡
• 英文稱呼 | Ultimate Madoka、MadoKami、Godoka

角色設計

• 平凡的初中二年生，就讀於見瀧原中學，與美樹沙耶香、曉美焰、志築仁美一個班級
• 擔任班裡的保健委員
• 年齡14歲，生日10月3日，血型A，身高150cm（152cm左右）
• 印象色粉紅。靈魂寶石為水滴形狀，變身後佩戴在鎖骨間
• 五人當中最矮，胸部最平（其實跟小焰不相上下），成神後的乳量說法不一
• 中短髮時常用紅色的緞帶紮成雙馬尾，成神後使用白色的髮帶，在新劇場版叛逆結局的新世界裡，曾一度選擇了黃色的髮帶，隨後被小焰換回紅色
• 媽媽是鹿目詢子，爸爸是鹿目知久，弟弟是鹿目達也

相關劇情

TV本篇、小說及劇場版前篇後篇

• 小圓班上來了個神秘的轉校生曉美焰，放學後小圓偶然聽到了QB的呼救，卻發現追殺QB的正是小焰
• 麻美學姐救了小圓之後，小圓開始憧憬成為魔法少女，而另一方面，小焰則極力阻撓她們
• 第八話：QB宣稱小圓擁有無與倫比的潛力，無論許什麼願望都能實現，說不定還能改變宇宙的法則成為天上的神明
• 第十話: TV第一周目的小圓在魔女手中救下了眼鏡麻花焰，後來在魔女之夜一戰當中去世。TV第二周目的小圓在有小焰助力的情況下，似乎仍未能擊破魔女之夜，最終魔力耗盡化身為救濟之魔女。TV第三周目的小圓果斷阻止了麻美學姐的暴走，一箭擊碎了學姐的SG，救下小焰並一起面對魔女之夜。最終戰兩人力盡不支，小圓用最後留下來的沙耶加的GS去除了小焰SG的污穢，希望小焰回到過去阻止自己成為魔法少女，並求小焰以槍擊碎自己的SG。TV第四周目的小圓一直被小焰保護著，直到最終看到小焰不敵魔女之夜後，許願成為魔法少女並一擊打敗了魔女之夜，隨後便耗盡魔力變為魔女。「大概只需10天就能毀滅這個地球了」by QB
• 第十一話、第十二話: 由於小焰無數的輪迴，平行世界的因果線都系在這個小圓身上。擁有巨大潛力的小圓許願「讓所有宇宙、所有時間的魔女在誕生之前，都由我親手消滅」。然而這意味著小圓自身化為魔女之時也必須被自己消滅，這樣違反因果律的事情導致小圓的存在從所有宇宙中消失。實現這一願望的唯一方法是重新構築所有平行世界從過去到未來的所有歷史，而小圓自身也變為「從一開始就未曾存在過」的狀態，沒有人（除了小焰）再記得小圓，沒有人（除了小焰）能夠認識到小圓的存在。鹿目達也是魔法少年所以沒關係。從而小圓到達了所有宇宙的外側、神的領域。「你並不是實現了大家的希望，而是讓自身化為希望」by 學姐

劇場版 新篇 叛逆的物語

在延續正篇故事的完全新作［新篇］叛逆的物語中，鹿目圓以3種姿態登場，分別是：捏造的見瀧原（false town／偽街）的魔法少女圓、「圓環之理」的圓（俗稱「圓神」）、「圓環之理」被撕裂後的圓。

所謂捏造的見瀧原，是曉美焰於徹底魔女化之前，在自己的靈魂寶石內側構築的「魔女結界」。結界重現了整個見瀧原，並引入一眾魔法少女與圓的親友，竄改他們的記憶，重複著一邊討伐夢魘、一邊上學的虛假日常生活。遺忘自己是「圓環之理」的圓，也是虛假生活的其中一員。

此一狀況，其實是丘比為觀測「圓環之理」所設計的策略，但「鹿目圓失憶」則出乎丘比的預料。本來，做為「圓環之理」的圓，應該前來引導曉美焰，但被丘比透過一些手段中止了。眾人齊聚捏造的見瀧原這個舞台，讓丘比得以完整觀察「魔女」「魔女化」「魔女結界」與「圓環之理」現象的全過程，解析正篇故事結局之後「魔法少女死後消失」的緣由，藉此尋找支配「圓環之理」的方法，徐圖恢復傳說中的「魔法少女魔女化」的舊世界因果律。

儘管丘比深信，鹿目圓的失憶，是因為被結界竄改記憶。但事實上，「圓環之理」的「力量」與「記憶」已分別由美樹沙耶香、百江渚2人負責運送，與圓一同進入了捏造的見瀧原。由於丘比的不察，讓她們得以在暗中活躍，最後協助圓阻止了丘比的陰謀。

其後，回歸「圓環之理」姿態的鹿目圓開始引導曉美焰，但卻被焰反手捕捉，且被強行分離成「做為人類的記憶」與「圓環之理」兩個存在。「惡魔化」的焰接管了「圓環之理」力量的一部分，重新改寫了宇宙法則，力量耗竭的魔法少女依然接受「圓環之理」的引導，但「鹿目圓的人類記憶」則被設定為「時隔三年從美國歸國的轉學生」，重新展開普通人的日常生活。除了立場不同，一切宛如《魔法少女小圓》的故事開頭。

廣播劇

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魔法少女和美

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• Madoka's silhouette appeared once during Juubey's explanation about Magical Girl system. She also makes a single-panel cameo in the extra pages in the first volume of the collected edition.

魔法少女織莉子

在《魔法少女小織》故事之中，擁有預知能力的美國織莉子在知道魔法少女最後將會變為魔女後，為了阻止因為曉美焰的不斷輪迴而擁有強大魔法少女資質的鹿目圓變成最邪惡之魔女，決定藉由丘比以及吳希里華來展開自己襲擊鹿目圓的計畫。而在這個時間軸中，圓只是一名未曾見過丘比的普通中學生，並且與美樹沙耶香以及曉美焰等人結交成為好友。然而故事後半段織莉子針對見滝原中學發動攻擊行動，為了保護小圓使得焰被迫變身成為魔法少女應戰。之後焰以能力不足為由婉拒了圓所提出救出美樹沙耶香以及志築仁美的建議，並且要求圓於其在戰場外架好的結界安全處躲藏好。儘管最後織莉子在與曉美焰、巴麻美以及佐倉杏子的戰鬥之中身受致命傷，但是臨死前最後一擊仍然成功地擊斃了離開結界外的鹿目圓，這也使得焰選擇再度輪迴至別的時間軸上。

puella-magi維基的內容

"How can you be so calm, Homura-chan? Why? Why are you only saving me? You have such an incredible power, Homura-chan!!" "If you're going to abandon everyone and run away, then you shouldn't save me...!" - Madoka, Puella Magi Oriko Magica, Chapter 5. Madoka appears in Chapter 3, asking Homura to go home with her, along with Sayaka and Hitomi. She is well protected by Homura and isn't aware of Magical Girl system. She appears in Chapter 4 for one page. She is shown with her friends Homura, Sayaka and Hitomi going out for snacks after school. In chapters 5 through 7, Mitakihara Junior High was attacked by Oriko and Kirika. Oriko spoke to the school through the school's broadcast system, and seemed to give a threatening look to Madoka as she claimed she defeat a creature of ultimate despair that will descend upon them. As a witch's barrier forms over the school, Madoka is separated from her friends attacked by familiars. Homura saves her in time, but Madoka demands to know why she does not help the other students. Homura knows she cannot save everyone, and wanted to try to save Madoka anyway. Madoka apologized as Homura puts her in a protective barrier so familiars cannot attack her and left to defeat the perpetrators. Madoka escaped from the protective barrier created by Homura, and tried to help Homura with Sayaka and Hitomi. Template:Spoiler

魔法少女小圓 the different story

在《魔法少女小圓 〜The different story〜》之中與動畫故事背景一樣，鹿目圓同樣對於身為魔法少女的巴麻美有所憧憬。在之後好友美樹沙耶香也選擇成為魔法少女並與麻美一同作戰，而鹿目圓則是繼續思考著「找到更加堅定的願望」並且跟在兩人身旁。在沙耶香因為上條恭介與志築仁美之間的關係心煩意亂時，圓主動向恭介表示其左手治癒的奇蹟是由於沙耶香所造成的，但是沙耶香則謝絕了好意並且表示等一天過後才決定把實情告訴給恭介。雖然之後在與魔女作戰的過程中沙耶香與麻美化解了尷尬，但是最後仍然因為靈魂寶石遭到污染而變成了魔女。

而曉美焰為了保護圓而說出的「美樹沙耶香被魔女給殺死」的謊話，但是適得其反的是反而讓圓更想要為別人成為魔法少女。在最後一話中於麻美房間的談話中，焰向麻美提出了共同擊敗魔女之夜的計畫，但是後者在聽到杏子在與由沙耶香變成的魔女作戰後戰死之消息而陷入了迷惘。之後圓則是親口告訴了麻美自己想成為魔法少女，一方面希望能夠為了一直照顧其的沙耶香做某些事情，另一方面也希望麻美能夠「變回普通的女孩子」。儘管麻美在對話中說過然為了別人而許下願望的話可能反遭到背叛，然而圓告訴麻美說自己仍然希望能夠代替麻美繼續作戰，這樣麻美便能夠拋下契約而如同一般國中女生般生活著。最後不知道魔女化真相的圓便向丘比許下了「讓沙耶香復活」的願望而簽下契約成為魔法少女，不過這也使得不希望圓成為魔法少女的焰感到失望外、亦誤以為是「巴麻美的言行誘發了鹿目圓的簽約」，最後圓、焰與復活的沙耶香則一同迎戰魔女之夜。

PSP遊戲

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角色分析

性格

• 廢怯心地善良，和平主義者，秩序善良陣營。希望幫助他人，實現自身的價值
  • 曾經在之前的輪迴里是非常勇敢而果斷的人
  • 一直在哭，從不變身
• 常常認為自己是「沒有任何優點且對任何人都沒有幫助的人」，心底里一直希望能「給別人幫上忙」
• 因為對於自身「無法拒絕他人」的性格非常清楚，所以不敢向QB詢問復活學姐的方式
• 憧憬厲害又帥氣的麻美學姐
• 和美樹沙耶加從小一起長大，非常要好，不惜變身為魔法少女以拯救沙耶加
• 非常聽爸爸媽媽話的好孩子
• 喜歡小貓，曾經為了救黑貓艾米而許願成為魔法少女
• 天然黑，位於攻受食物鏈的頂端

以下翻譯自puella-magi維基：

• 總是以「醬」「桑」稱呼周圍的人，除了上條君，因為顧慮到沙耶加的戀愛之心。PSP遊戲裡琴劍走到一起之後，小圓便更親密地稱呼上條了
• 虛淵玄在 Blu-Ray_Volume_4_Booklet#Gen_Urobuchi_.28Screenplay_for_All_Episodes.29_.26_Akiyuki_Shinbo_.28Director.29_Conversation_Part_1 說他把鹿目詢子設計成女強人角色，而小圓則憧憬這一份勇氣和實力
  • 小圓之前感覺自己太沒用，不適合做魔法少女，可能是因為她以母親為標準來衡量自己，覺得自己不行。
    • 有人認為小圓如此不幸的原因是她希望得到力量來變得無私以此來擺脫不幸。QB利用這一點來操縱小圓的思想，讓她把自己的願望建立在內疚之上。它試圖讓小圓相信她自己可以通過做出無私的許願來從不幸中解放。
    • 如果沒有成為魔法少女的願望和經歷，小圓這樣的角色永遠不會成長為一位勇敢的英雄。但是，她作為廢怯少女的經歷——常常為眾多生命逝去而哭泣悲傷，總是希望做正確的事但力不從心，試圖救下朋友和陌生人卻失敗，還有為被精明冷血的外星人所欺騙的無辜少女感到的悲傷——讓小圓最終得到了勇氣去征服恐懼，拯救小焰和世界，而非屈服於絕望而逃走。這是第十一話和她母親在一起的片段給我們留下的印象。
• 在第六話，詢子和小圓進行了一段交談，關於就算在誰都沒做錯事的情況下，要做正確的事有多難。詢子給小圓的建議是為了解決問題而不惜對朋友犯錯，就算這意味著會被朋友討厭也好。在第十一話詢子當面阻止小圓跑入危險的風暴，小圓提醒她媽媽說她自己是個好女孩從不做錯事但她必須做這件事，這使話題又回到了之前的那段交談。小圓知道她所做的事會使家人擔心，但她也知道她必須違背她的母親去拯救家庭和小鎮。這段對話使詢子對她放心。
• 在廣播劇CD「Sunny Day Life」中提到小圓過去經常成績很好，但她作為魔法少女的職責干擾了她的學習。
  • 值得注意的是小圓的成績依舊比沙耶加好。

願望、武器與能力

• 在TV第12話，終於許願「將所有的宇宙、過去和未來、所有的魔女，在誕生前親手消滅」而變身魔法少女
• TV第10話揭示她在其他時間軸許過其他願望，包括幫助小焰打敗魔女之夜
• 廣播劇1 Memories of You 揭示了第一周目的願望是拯救被車撞死的黑貓艾米。跟PSP遊戲的あなたが側にいてくれるなら路線相一致
• PSP遊戲的夢の中で逢った、ような…路線里的願望是讓沙耶香變回普通人。私が願った、奇跡路線的願望是希望家裡所有人感到幸福

武器 無論許什麼願望，小圓的武器總是一把開花弓。平常攜帶狀況時長弓會自動成摺疊成如同細長樹枝般的狀態，但是在準備拉弓時長弓的主體將會自動伸展開來並且變成弓箭形狀，同時伴隨著拉弓的動作使得弓弦以及能量箭弓矢憑空生成。而當拉滿弓時原本頂端的花苞會先綻放出玫瑰花朵，接著弓箭上端會點燃粉紅色的火焰。

漫畫版本中捨棄了原本花蕾會綻放的設計，而改成使用一般刻有花紋的木弓，不過仍然有關於頂端火焰冒出的描繪。

能力

• PSP遊戲裡面，小圓許的不同願望會導致略微不同的魔法能力，包括使得身體魔力上升、治療恢復傷勢甚至是消除部分靈魂寶石污染等魔法。TV第12話裡面由於其許願的性質，導致小圓射出的箭擁有穿越時空與平行宇宙、拯救所有魔法少女的靈魂寶石的能力。
• 箭矢是由魔力憑空生成的，並沒有實體。可以用來單一射擊、連續射擊或者一次性射出多支。
• 可以朝天射出一支箭矢後化作箭雨落下，用作範圍攻擊
• 在TV第12話里還能夠召喚出巨型魔法陣，產生極大範圍（甚至超越時空）的箭雨
• 而在射出箭矢後頭除了會殘留發射的軌跡外，同時具有追蹤能力的弓矢使得圓能夠有著極為誇張的精準度。

評價

在官方預告中形容鹿目圓為「溫柔又為朋友著想的平凡中學二年級學生」，而悠木碧在接受《Megami MAGAZINE》採訪時表示：「小圓是如此地蓬鬆可愛！她就像草莓大福般！」而除了常見到的鹿目圓在《魔法少女小圓》中為可愛且正向的的女孩意見外，網站「The Fandom Post」的一篇文章中則認為圓在有些時候則反而顯得過於天真。另外一些評論則特別提及到圓在決定成為魔法少女前的「廢怯」模樣，包括動畫新聞網評論家大衛·卡比拿（David Cabrera）於文章中提到對於絕大部分的觀眾來說，最為熟悉的鹿目圓形象為優柔寡斷的校園少女；而在網站「THEM Anime Reviews」的評論中則指出雖然圓在很多地方呈現出無用、懦弱且沒有自信心的女孩樣貌，但是在面臨新的絕望發生時反而沒有看到其軟弱的一面，並且她能明白地知道哪個地方錯誤了。

儘管《魔法少女小圓》在標題本身便已經標註了「魔法少女」，但是作為動畫主要角色之一的圓卻遲遲沒有真正成為魔法少女。其中整個故事內容主要是放在她為什麼要成為魔法少女上，這也使得圓在劇情中並無法成為與魔女對戰的角色。其中評論家喬納森·達爾頓（Jonathan Dalton）便在評論中指出儘管圓同樣也是《魔法少女小圓》中的主要角色，但是在絕大部分的故事劇情中她往往只能夠擔任旁觀者的角色。而整個動畫主要故事時間軸一直到最後一話之中才讓圓訂下契約變身成為魔法少女，對於這樣的安排則意外地廣泛被觀眾所接受。其中評論家塞隆·馬丁（Theron Martin）則是在評論第十二話時提到：「圓許下的願望是她經歷整個事件後的作品最高潮，並且藉由她這名角色涵蓋了故事主線的所有內容。」但是另一名評論家提姆·瓊斯（Tim Jones）則批評說：「在整部作品快結束之時躲在最遠最後方的脆弱環節就是圓，在整個故事中就是別人告訴她該怎麼做、擔任一個虛應的背景人物以及當朋友遭遇噩耗時開始哭泣。……一直到系列最後面時她才終於用自己的雙腳站起來，並且決定以自己的雙手解決這一切。」

另外評論家宮崎哲彌認為《魔法少女小圓》參考了佛教的因果觀點而採用「希望誕生絕望」的世界設定，並且認為故事內容主要為「作為普通人的鹿目圓朝向菩薩、如來的階梯直趨而上的成長故事」。但對此動漫評論家藤津亮太則認為應該從美少女遊戲與科幻文學的的脈絡進行分析，並且將故事描述為實際上是一部「了解母親的生活方式，並當成自己在人生中做抉擇的依據」的成長故事。不過宮崎與藤津皆認為在第十一話之中，圓抱持著決心與母親對峙一直到母親目送圓離開的過程為《魔法少女小圓》中劇情精彩之處。

圓神

在成為魔法少女之後其穿著的魔法衣結合了大量荷葉邊與絲帶，不過在動畫版本最後一話後半段其衣飾則改為純白的魔法衣服、並且在後頭多了白色的羽翼。除了衣服上的改變外，此時鹿目圓的頭髮將會變長，而且瞳孔顏色也變為金黃色。根據設定這是由於受到鹿目圓其願望為在所有魔女誕生前便將其消滅的影響而改變了原本的穿著，同時這個狀態也是「無限時空戰鬥之超進化所產生的究極型態」。在原本劇本之中將此時的圓稱為「Hyper Ultimate Madoka」（ハイパーアルティメットまどか），而在藍光光碟和DVD光碟第六卷以及其他系列產品中則多以「Ultimate Madoka」（アルティメットまどか）稱呼。

但是在其他曉美焰所經歷的時間軸中，圓往往不是因故死亡就是因為靈魂寶石受到汙染而魔女化，並且在變成魔女之後成為具有強大毀滅力的「救濟之魔女」。

戰績

紀錄上，鹿目圓的敗北次數與巴麻美並列次低，迄今只有魔女之夜（最強的魔女）與曉美焰曾打敗鹿目圓。

動畫版共遭遇9場戰鬥或衝突，隻身戰鬥僅有2次（1勝1負），其中：

勝利：7次

敗北：2次

戰績列表
戰鬥對象 時間 戰鬥結果 致勝招式 附註 「班長」的魔女 第10話 勝利 － 魔女之夜 第10話 勝利 － 時間軸2。魔女化。 「人魚」的魔女 第10話 勝利 － 魔女之夜 第10話 敗北 － 時間軸3。 魔女之夜 第12話 勝利 － 夢魘 劇場版［新篇］ 勝利 － 四人戰鬥。 夢魘 劇場版［新篇］ 勝利 Tiro Duet 「神聖五重奏」。 「胡桃鉗」魔女 使魔「衛兵團」 使魔「護衛」 使魔「蛀牙」 使魔「鳥」 使魔「偽街的孩子們」 劇場版［新篇］ 勝利 （敵方詐降） － 「惡魔」曉美焰 劇場版［新篇］ 敗北 － 記憶遭竄改。

漫畫版（衍生外傳）戰績列表
戰鬥對象 時間 戰鬥結果 致勝招式 附註 魔女之夜 〜The different story〜 最終話 不明 － 勝負無意義。

名台詞

經典台詞（credit: K島維基）
「 如果——我是說如果，有人跟你說能用魔法實現任何願望，你會怎麼做？もしも——もしも、だよ？魔法でどんな願い事でも 葉えてもらえる、って言われたら、どうする？」 官網角色描述台詞。 「いいなぁ。私も一通ぐらいもらってみたいなぁ。ラブレター」 「だって、この子、私を呼んでた！　聞こえたんだもん、『助けて』って」 「ただ、なりたいってだけじゃ、駄目なのかな……」 「夢の中で逢った、ような……」 「それはとっても嬉しいなって」 「こんなの絶対おかしいよ」 「わたしの、最高の友達」 「クラスの皆には內緒だよ☆」 「ハシャイジャッテ」

完整台詞參看台詞/鹿目圓

三次元

花絮

在《魔法少女小圓》最初的企劃會議中，便試想讓故事中的主要女主角為一名「性格開朗且理想主義」的女孩，而其概念色彩為白色。其中負責早期人物設定的蒼樹梅一開始以自己創作的漫畫《向陽素描》主角由乃作為參考，並且將其部分形象加以誇大後創造了鹿目圓的形象設定。而虛淵玄則表示當時正在準備創作《魔法少女小圓》劇本時，曾經因為不斷聯想到蒼樹梅所創造的人物與《向陽素描》的角色形象相似而感到憂心，一直到正式的人物設計出來後才鬆了一口氣。之後虛淵玄表示最早的時候便有將故事寫成「焰努力嘗試保護圓」的念頭，因此特意安排把圓以及焰的角色特徵處在對立的狀態。他並且表示相較於焰是屬於虛淵玄風格的人物，圓則仍然是屬於蒼樹梅風格的角色，差不多是想像著由乃來寫的腳本。

不過在原本角色顏色概念為白色這一部分，由於蒼樹梅在設計人物時不小心忘記而將圓的主要色調改為粉紅色。之後在藍光光碟版本第二集的解說中，蒼樹梅表示鹿目圓、曉美焰以及巴麻美在性格設定上十分容易，相比之下美樹沙耶香以及丘比就很難想像其個性為何；但是在接受雜誌採訪時則坦承就角色設計來看圓的難度比沙耶香與佐倉杏子還要來得難，並且表示圓和焰由於其雙馬尾的設計使得一旦角色馬尾大小和畫法有所差異，看起來便是完全不同的角色。而與其他魔法少女設計不同的是，在故事的設定中鹿目圓變身成為魔法少女後的穿著，為其自己夢想中的魔法少女模樣所反映出來的結果，因此在衣著設計上多增添了強調此性質的荷葉邊以及更多可愛的裝飾元素。對此蒼樹梅在接受採訪時表示為了能夠吸引女性觀眾而特別融入了童話的元素，並以此設計出一套十分「可愛」的魔法少女服裝，不過她也說這樣的穿著實際上似乎不適合戰鬥。

而在動畫製作時，負責動畫製作的SHAFT社長久保田光俊表示在看到蒼樹梅的人物設計時，製作團隊認為接觸一個新風格是件好事，不過也坦承這的確為動畫的製作帶來了挑戰；對此蒼樹梅則表示當時也沒想到自己個人的畫風會直接被採納，並且表示也許這樣可以帶來「魔法少女小圓」的感覺。另外在動畫製作過程中，製作團隊特別盡可能避免如常見的衣服破損、巨大汗珠或者表情符號等過度誇張化的表現。而在動畫第二話中鹿目圓畫自己想像魔法少女模樣的草稿，蒼樹梅則是將其交日語聲優悠木碧繪製。對此一開始虛淵玄表示只想到圓應該將自己的夢想集中畫在筆記本上，不過儘管蒼樹梅想在這地方中盡可能表現圓繪畫能力糟糕一面，但是其為此而特別畫的「糟糕」作品反而被其他人反對。最後製作團隊決定改由蒼樹梅將中學學生可能想到的點子描繪出來，之後再請悠木碧以此為參考畫在筆記本上。

• 於廣播劇中出現的貓「艾米」，其名字來自於悠木碧飼養的貓，不過設定中這隻黑貓不是小圓家養的。它原本並不存在於虛淵玄的劇本中，在訪談中他提及這是SHAFT為了轉移觀眾視線才把黑貓加到OP中並刻意讓牠在宣傳圖中登場。可見虛淵玄也被SHAFT玩弄了。

各界評論

擔任鹿目圓聲優的悠木碧表示在動畫第三話巴麻美逝世後圓對於魔法少女的看法便有所改變，然而一連串的事件使得她並沒有時間哭泣，因此她認為圓的故事主題實際上即為「在痛苦之中使人們成長」。而在另一次訪問中，悠木碧則提到在動畫最初圓只是一名極為依賴其他人的角色，但是在找到自己成為魔法少女之願望的答案後則開始獨立了起來。而擔任曉美焰聲優的齋藤千和則表示在故事裡所有魔法少女中，圓是唯一有描寫到其和身旁家人互動的角色，而這也意味著和其他魔法少女相比她更能理解到如何愛護其他人。而在動畫第十話中以焰的觀點來看其他時間軸的魔法少女時，圓則不像動畫主要故事中遲遲無法決定是否要成為魔法少女，相反地往往是呈現出一名性格堅強且十分活躍的魔法少女。對此擔任動畫導演的新房昭之則表示虛淵玄所創作的劇本中，便是為了呈現出少女在成為魔法少女之後克服困境並獲得自信的一面，而負責為圓配音的悠木碧則表示當時將圓詮釋為對於自己充滿信心的魔法少女。另外擔任Aniplex製作代表的Template:Link-ja則表示從第十話圓向焰所說的「要跟班上的同學們保密喔☆」（クラスの皆には內緒だよ☆）中，可以感覺到對比現在時間軸優柔寡斷的模樣反而此時的圓其意志更為堅定許多，而新房昭之也表示這句話成功地營造出圓為一般魔法少女的感覺。

另外悠木碧表示在進行第十一話錄音時現場極為地感傷，而她自己也完全融入在故事中圓的情緒起伏上，並且認為圓最後一定會接受焰的感情。而虛淵玄在接受《BLACK PAST》採訪時則表示：「感覺上焰所做的一切都是為了圓，但是一直到圓得到全能的能力後才知曉焰的感受……而圓為化解過去種種事情只能夠脫離人的範疇而成為神，就某種意義上來說這是一個極為殘酷的故事。」另外在家庭背景設定部分，製作團隊則由於一開始的玩心而設定成母親外出工作、父親在家中擔任家庭主夫的設定，虛淵玄也表示自己本來就想在魔法少女類型作品中加入一個有男子氣概與主見的母親。對此他認為正因為圓是在這樣的長大環境之下，所以對於男性與女性之間的社會刻板印象並不深，這讓身為女性的她便會自然而然地效仿最親近的成人，而能夠放心接受並且有勇氣地改變某件事情。其中製作團隊表示在後面的話數之中，「堅強的母親」這一關係成為促使得圓決定擔任魔法少女的關鍵因素，並且在第十一話中成為重要的劇情內容。

社會反響

被提名改名為「圓神星雲」的NGC 6357星雲，其中星雲的一部分被認為與動畫中圓的樣貌相似。

2011年4月1日時，包括BaseSon、貓貓軟體和ALcot等日本成人遊戲公司趁著《魔法少女小圓》播出時推出相關的愚人節廣告，而Nitroplus甚至將其虛擬代表人物SUPERSONICO搭配鹿目圓的魔法少女穿著而設計出「魔法少女SONICO☆小圓」的預告。而在2012年2月22日到3月4日舉辦的第十五回文化廳媒體藝術祭作品展中，在東京都港區會場上展示了由梅賽德斯-賓士所提供、並且繪製有《魔法少女小圓》圖樣的Smart痛車，其中所挑選的人物圖案即為已經變身成為魔法少女的鹿目圓以及曉美焰。而在2012年5月時三麗鷗則與Magica Quartet展開合作，發表了以魔法少女裝扮的鹿目圓與曉美焰為基礎設計的My Melody圖樣，並且計畫在7月中旬推出包括玩偶、皮夾等一系列延伸產品進行販售。

在2012年12月2日，參與2012年東京都知事選挙的前日本律師協會（日本弁護士連合會）會長宇都宮健兒在競選時，助選員特意扮成鹿目圓等《魔法少女小圓》劇中人物並且跟隨宣傳車在東京各處拉票。不過此舉雖然強化了宇都宮和於任內推動《東京都青少年健全育成條例》的前任東京都知事石原慎太郎相對之政治寓意，但也引起了部分日本網友的批評。在之後於12月16日舉辦的第46屆日本眾議院議員總選舉之中，東京選區則意外地出現了一張投給鹿目圓的眾議院議員選票。

2013年2月時，美國人安德魯·賈卡（Andrew Jaqua）在Change.org發起全球請願連署活動，要求國際天文學聯合會將十分貌似「鹿目圓神化」的NGC 6357星雲之一部分分離出來，並且更名為「圓神星雲」（Madokami Nebula）。而安德魯·賈卡為了這次連署所擬定的意見書中則指出，希望透過星雲更名的方式「將圓神自我犧牲的精神發揚光大」。而在2013年5月28日時朝日飲料則與Magica Quartet展開合作，在特定的便利店推出了4款外表有著鹿目圓等《魔法少女小圓》主要角色圖案設計的三矢汽水。

獎項

• 在2012年3月，日刊體育第1回日刊動畫大競技（第1回日刊アニメグランプリ）的女王賞，而其聲優悠木碧也獲得了MIP女性聲優賞
• NHK紀念電視動畫 開播50周年：第7名（最受歡迎的女英雄）
• 在2011年12月，Megami MAGAZINE 2012-02（第38頁）公布的最佳配對組合排名中，鹿目圓x曉美焰的組合排行第一名，並且整整比第二名還多出兩倍的票數
• 另外在慶祝《劇場版 魔法少女小圓》上映而舉辦的角色名言前十五名投票中，包括第十二話所說的「妳是我最好的朋友……」、「如果有人說懷抱希望是種錯誤，我會反駁這種說法是錯的……無論幾次我都會如此回答。」與「我也再也沒有必要絕望了！」、以及第十話所說的「要跟班上的同學們保密喔。」都被票選其中，並且分別排行在第十五名、第十二名、第九名以及第五名。

萌戰戰績

最萌大賽（日萌）2011

一次預選以459票16組第一名進入本戰

本戰一回戰C03組以285票戰勝千堂瑛裡華與鶴見知利子晉級

本戰二回戰C2-1組以333票戰勝石動美緒與伊格麗德·索維克·索爾格利吾斯晉級

本戰三回戰C3-1組以421票戰勝赫丘勒·巴頓晉級

C組決賽以415票戰勝艾利由西亞·D·魯德·伊瑪晉級

四分之一決賽以371票對327票戰勝美樹沙耶香晉級。

準決賽以392票對407票不敵學姐，止步四強。

圓神黨人宣稱比賽結束前2分鐘爆票，但被人刷爆投票樓，導致無法投票。

我們仍未知道那年萌戰圓神的票力

最萌大賽（日萌）2013

一次預選以209票15組第一名進入本戰

本戰一回戰B03組以249票戰勝秋山優花里與平松妙子晉級

本戰二回戰B2-1組以413:438負於新垣綾瀨

但是拜綾瀨獲得B組冠軍所賜成功以二回戰第二的身份進入復活賽

復活賽一回戰R17組以198:88戰勝赤座茜晉級

復活賽二回戰R2-7組以192:93戰勝白井黑子晉級

復活賽決賽第7組以251:139戰勝千反田愛瑠晉級十六強

八分之一決賽以272:145戰勝新垣綾瀨復仇成功

四分之一決賽以272:250戰勝黑貓晉級

準決賽以191:116戰勝佐倉杏子晉級

決賽以277:191戰勝美樹沙耶香，終於拿下萌王桂冠。

韓國最萌大賽 2011

季軍

C洽最萌大賽（台萌） 2011

第12名

關聯商品

• 角色歌是またあした，第一次是作為ED出現在BD版Vol.1收錄的第一話跟第二話，以及BD Vol.1限定版的特典CD中。悠木碧表示在歌唱《明天再見》時以為是首無憂無慮且讓人愉快的歌曲，但是之後才瞭解到歌詞底下的另外一層涵義。
  • 該特典光碟之後由於附錄的本子與片尾影片和實際音樂的歌詞有所出入，這使得負責發售的Aniplex決定暫緩第一卷光碟的推出，而針對已經購買的消費者則是以郵遞的方式寄送新版本的光碟與本子。

此外許多與鹿目圓相關人形也陸陸續續地推出，其中主要設計人形玩偶的Good Smile Company分別推出過3款figma人偶、4款黏土人玩偶、以及2款1/8比例模型。而在2011年時由Good Smile Company公布的銷售排行榜之中，鹿目圓的黏土人模型排行第三名、figma人物模型排行第七名以及制服版本穿著的黏土人玩偶排行第二十三名；另外在2012年時，Good Smile Company所推出的「最終型態鹿目圓」八分之一大小玩偶則是於當年度同系列產品銷售排行榜上排名第一。除了Good Smile Company以及旗下子公司曾推出鹿目圓的人偶外，包括Medicom Toy、Template:Link-ja、Template:Link-ja和萬代等公司也有推出相關人形產品。

捏他

《魔法少女小圓》的標誌，其中左上角的「魔法少女」字樣常被戲稱為「廢怯少女」，況且主角鹿目圓的個性也並不強勢

• 小圓的聲優悠木碧是杏子的大粉絲
  • BD第5話副音軌里凹醬大呼杏子俺嫁
    • 糟糕，藍毛又黑了
    • 千和你怎麼了千和
  • BD第7話副音軌再次告白 goes even more gaga
  • "C81 Aniplex Madoka Special Talk CD" 又……
• 圓神總攻，魔法少女後宮王 her own harem
• 天才竹刀少女
• ウェヒヒヒヒ／ｳｪﾋﾋﾋﾋ You can hear it here. (Or here.)
• 職階為掛逼Archer
• まどかタイタス：有人將小圓的Figure和Gundam AGE的Gundam AGE-01 Titus手腳合在一起，發現意外的很合
  • SD的タイタス和粘土まどか也很搭。
  • 後來影響到小焰，多出了ほむらスパロー亞種......
  • 更之後的戰姬絕唱SYMPHOGEAR中，因為悠木飾演的主角響就是擅長肉搏戰，之後まどかタイタス很乾脆的就直接被響給同化掉了。

以下來自puella-magi維基，待實證：

• Madoka owns many stuffed animals in her room.
  • One of Madoka's stuffed animals resembles Lady from Disney's movie "Lady and the Tramp".
• Madoka and Mami are the only Magical Girls known who are never seen having a mark on any of their fingernails. Homura, Kyoko and Sayaka all have marks on their left middle fingers, matching the shape of the emblem of their respective Soul Gem.
• Madoka is never seen with her Soul Gem in a ring form.
• Urobuchi in his audio commentary on BD/DVD 3 explains that he felt like Aoi Yuki was born for the role of Madoka. What he means is that she doesn't force herself into the role of becoming her character and she leaves the impression of being a natural airhead, but in a good way.
• Gen Urobuchi twitted that he chose October 3 as Madoka's birthday, because that was the day when the 『Mahou Shoujo Apocalypse Madoka☆Magica Project』 document was created[1].
  • The project was developed under the working title "Mahō Shōjo Mokushiroku Madoka☆Magica", ("Magical Girl Revelation Madoka☆Magica" or "Maho Shojo Apocalypse Madoka☆Magica"), a reference to the Bible.
    • 黙示録 specifically refers to the Book of Revelation.

Speculation

下面是speculation（腦洞）章節，太特麼長了

Some fans speculate that Madoka presumably made a wish for a large cake in one of the timelines, under the influence of Mami. However, this is highly debatable. Template:Spoiler Theoretically there is also the danger that, should Madoka become extremely powerful and turn into a witch, her power may be enough to destroy not only Earth, but the entire universe. INCREDIBLY unlikely. Kyubey's species is (if they can be trusted) trying to save the universe in the first place, not trying to destroy it. They wouldn't create something they can't take down. Then again, Kyubey remarked in the fourth timeline that he didn't know Madoka would turn out to be so powerful. While in this timeline he probably knows (and definitely doesn't care) that the witch form of Madoka could destroy the Earth, he may not know the full extent of her power. Madoka's wish includes a hidden if-then clause Template:Spoiler. Because her wish is to Template:Spoiler. Which is what we see happen. It is speculated that any wish Madoka ever made would be twisted because of the nature of the wish, according with Episode 11. Kyubey suspects that as long as the motives are selfish, the wish will always be twisted because the wishers' desire would always fail to meet their expectation. It is speculated that Madoka realized that as long as her thinking was selfish or incorrect, then her wish would also be twisted. It is suspect that Madoka contemplates what to do to save Homura and her town in Episode 11, without being caught into the snare of the wish's trap. Template:Spoiler A Philosophical analysis tries to determine Madoka's motive, Talk:Philosophical_Observations#Madoka_and_Minding_her_Motive An argument can be said that Madoka has two ways to develop her courage. One is through Kyubey by magic (which is the easiest path); the other way is more difficult and hurtful, the painful life experience and lessons she receives through friends, family members, and from strangers. But the most influential character in Madoka's life would be her mother, her source of wisdom, courage, and strength. The Drama CD "Memories of you", states that Madoka used to have low self-esteem and doubts about herself until she became a magical girl. It is suspected that the series is attempting to show the journey of a little girl growing up from a simple life that is then thrown into the realm of magic. From her innocent eyes she perceives the magical world to be good, fantastic, and pleasing. But once Madoka experiences the dark nature of the magic world, she attempts to escape from the dark world of magic and at the same time evade the cynical world of reality. During her scene with her mother, Madoka attempts to move from the hopeless world of reality into the realm of adulthood. However, because Madoka still retains her hopes and dreams some would suggest that Madoka, rather than being regressed into a childish person, is growing into a hopeful adult that dreams for a better future. This is considered incorrect. In the anime, so called "maturity" is metaphorized as, essentially, corruption—this is one of the most important metaphors in the anime (If we were never corrupted, we would never be "mature", our true images, when not corrupted, are images of naive children with pure souls, filled with hope, selfless love and compassion). When one becomes an adult, most likely she becomes a minion, a witch or a person whose true heart is blinded that she cannot resonate with other people and the power of the light side (hope, selfless love...). So it's OK to say Madoka grows up as herself but it's not good to say that she has become an adult, since most adults are called adults only because they're essentially corrupted. In a sense, you can say Madoka's maturity is the maturity of a person with the purist soul, but that wouldn't be necessary, and we should avoid using the words that are associated with "maturity" - "adult" is one of them. Madoka is the avatar of hope, she does everything because of the pure hope and good will, not because of some inferior conscious thoughts of responsibility, but a realization of her heart - the core of her soul, her subconsciousness, which is deep within her. I concur. In the anime, Kyubey refers to the magical girls as "puella" (in the title, which should suggest even greater significance). Puella, as he phrased it, referred to an immature girl. He also mentioned that these girls "grow up" into witches, implying that with maturity comes darkness and pain. The "adulthood" that is referenced in this series refers mostly to the dark side of humanity. During the old world, "maturity" is essentially the corruption of a girl's adolescence. Kyubey's process is an attempt to uncover the darkness and selfish nature of the girls by amplifying it during the developing period into a witch. Is not an issue of purity as much as an issue of naivete and inexperience innocence; Kyubey corrupts these girls because they haven't been exposed or experienced the gritty reality of the world. Their lives as magical girls shatter their ideal views of a mahou shoujo, in the case of Kyoko as an example. Even Madoka became a Witch, perhaps as a statement of the flawed nature of humanity. But there was also a message of hope, Ultimate Madoka, a version of hope and sacrifice that defeated her Superwitch counterpart. This new entity born of the same metamorphosis process overcame the corrupting process of the system and developed into a much more mature Madoka. The reason for this new change is because Madoka made her wish that reflected her part as a sensible young adult, with the guidance of self reflection and wise counsel from others. The previous Madoka versions failed because they didn't reach their natural maturity when they made their wishes; they made their wishes with the mental view of an innocent child who didnt fully mature or understood the world. This new Madoka carries with her the hopes of magical girls, not just her own. However, as a responsible adult she must fade from the world and help many girls by taking their impurities with her. Madoka knows that she cannot abandon them, no matter how much she would miss her family and friends. This new Madoka has inhered a new sense of maturity and adult responsibility. The process of maturing into a better person requires Madoka to inherit the traits that comes with adulthood. It doesnt mean that Madoka becomes a better adult automatically nor a corrupt adult either. It just means that Madoka cannot grow into maturity without taking the elements of adulthood with her. In the series, adulthood can much as mean corruption as well as a new sense of guardianship. In this new sense, maturity and adulthood are not exclusive. One can become an adult without maturing (a witch), but one cannot mature without becoming an adult. One great example of Madoka's maturity is respecting the magical girls' wishes and dreams by not undoing their wishes or undoing their deaths. Another example is Madoka's acceptance of the need of a system to repair the damage done to the universe. Madoka's system is not perfect but she attempts to adjust it to make it more fair. Rather than radically alter the world to an "ideal version" (or paradise, as Kriemhild Gretchen tried), Madoka accepts the world as it is and tries to work within it. Madoka is in the process of growing into a fine woman, just like her mother Junko. Madoka is not becoming someone like her mother, he mother is a good woman, but she's corrupted as well, only the soul of a young girl like Madoka, can be really pure. None of those girls are truly selfish, everyone, including the people who are very selfless, have selfish desires, but that doesn't make them selfish people. All the magical girls in the anime, are the ones whose nature is much more selfless than most people, they have the purest souls. The corruption doesn't just refer to the corruption of girls of adolescence, but of all people. It's not a metaphor of young girls, but of the whole humanity, every single human being on earth. This anime shows us that, the so called "maturity" in our world, is essentially corruption. People were naive children with pure souls, filled with hope, selfless love and compassion at the beginning, but they were eventually corrupted to become the so called "adults", who are essentially minions, witches or people whose true hearts are blinded. The ones with purest souls, like the magical girls in the anime, they're the ones who are taking the greatest damage and corruption(absorbing the greatest darkness) from the evil of the society, and they're the ones who are corrupted into witches (As metaphorized in the Bible, the arch-devils are fallen angels; in the anime, the purer the soul is, the stronger the magical power). The ones whose souls are not so pure, would eventually become the common adults (people whose true heart are blinded) or the minions of the witches. Also, as stated, conscious thoughts of responsibility is inferior, it is only a rough projection of hope and selfless love deep inside our subconsciousness, it is not to be followed. Madoka's heart resonates with hope, that's the power that leads her, not any conscious thoughts - only what's deep inside us is true, in a sense, all words are fake, since they can never completely describe what our true heart (subconsciousness) is like (the last sentence in the ending song Magia, "My feelings alone are all that I live for, what will create my life, is this, wish.", it is the feeling that is to be followed, not any conscicous thoughts). I would like to point out that there is a contradiction. If only the purity of Madoka's soul can save the girls. Then what does one make of the other girls? If Madoka is so pure and the reason she became a Witch was because of the corruption tainting her heart, then what changed in the end? If magical girls are not selfish, does that make them selfless? If so, then why couldn't they overcome their own corruption? One cannot be selfless and selfish at the same time, this in essence is a contradiction. To be selfish does not mean to be a bad person, it means that one has to meet the needs and demands of one self. This observation regarding selflessness is subjective. Mami wanted to live but she regretted her choice because she didn't think of saving her family at the time. Sayaka wanted to heal Kyosuke because she felt sorry for him, but she also admits too late that she also wanted his love. This is why Kyubey knows that any wish will be corrupted, because it gets twisted by its own logic. The taint made them selfish, this means the taint blinds them from seeing hope, and thus they're only controlled by their grief and despair. Madoka has selfish desires, but they vanished so quickly inside Madoka's heart because they're powerless, until Madoka is tainted by the darkness of the witch she had defeated(corruption thus pass from one to the other, and it is non-decreasing, like entropy). It is not the girls are not selfish at all, it is that though they're basically selfless, and they're much more selfless than most people, they have a desire to protect their own hearts. When darkness blinds them, their dark side is magnified while their good side being blinded, thus they become witches(notice that this is not a necessary cause of a magical girl being turned into a witch). One can be selfless and selfish at the same time, we have both the nature of selflessness and selfishness(desire to protect oneself), and when darkness blinds one, the two parts of us would be conflicting, and darkness may(or may not) win at the end. However, I do agree with this "To be selfish does not mean to be a bad person, it means that one has to meet the needs and demands of one self. This observation regarding selflessness is subjective.". Unlike Sayaka, Madoka probably gets corrupted not because her wish gets twisted. It is possible her wish only got twisted after she became a witch, not before it, so perhaps it is not causing her transformation into a witch. As for Kyoko, her wish is totally innocent and the fact that it is twisted has nothing to do with her selfishness, what has twisted her wish is simply, maybe we can say, uncertainty. Sometimes good wishes simply do not help people because of things that are unexpected. This is contradictory, all wishes get twisted according to Kyubey, because it never achieves the results one ever wants or expects. This is part of why girls gent transformed into Witches, it is part of the metamorphosis. This is already stated in Episode 11. Unless a counter-proof is provided, this is highly unlikely. In the case of Kyoko, while her wish was her innocent attempt to help her father, she failed to realized that she did not ask for her father's consent or opinion. Instead he felt he was used without his consent and that the magic spell was forced upon him. This is a very strong, beautiful and heart-touching metaphor. This is, as it has been said, one of the most important metaphors in the anime, which reveals us the corruption of the heart of humanity, and, behind it, a world hurrying to its ruin. An argument can be said that its message is also about the hope of humanity, that even beyond the shadow of corruption there is a veil of hope for those who strife for it. Madoka, instead of turning her back to a corrupt world, decided she wanted to save it. If the world is corrupt, then it is assumed that is beyond saving. Instead, Madoka sacrificed herself to change the world into a better place. The new world is not perfect, it is still plagued with flaws and corruption, but it is also a little bit fair and merciful. When it is said that the world is hurrying to its ruin, it doesn't mean it is hopeless, it simply means that without people's resonance with hope, without any change, the world will surely destroy itself. But there is always hope, as what Madoka has shown to viewers - hope can shatter all the darkness, and change the nature of universe, which is what will save humanity. Madoka's maturity, as it has been stated, is different from the maturity of becoming an adult(which is essentially being corrupted), it is the true maturity. The words associated with "maturity", like "adult", "adulthood", these words are of negative meaning in the anime(and in fact, essentially, in our world as well). We should merely say that she "grows up". This observation is essential to understanding the anime, it underlines that the story is of "coming of age" in an imperfect world. However, the series is not an attempt to attack adulthood, but illuminate the flaws of a cruel world that children are forced to grow into. The series attempts to reveal the serious difficulties and challenges that girls like Madoka, Mami, and Sayaka have to face in this cruel world. What message can one take from the series is up to the viewers. It is suggested that the series is actually revealing the dark truth of the so called "adulthood".

Magazine Article

• July's NewType article

視頻

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圖集

摺疊內容

Official art Madoka Kaname Anime Design.jpg Initial design Original character design by Ume Aoki Madoka morning pajama.png Madoka having a sleepover with friends Madoka bd1 4koma.jpg Translated Ume 4koma from Madoka BD volume 1 BD 4 Ume 4koma TL.jpg Translated Ume 4koma from Madoka BD volume 4 Autographed illustration umeaoki.JPG Autographed illustration by Ume Aoki Ume madoka kyubey.jpg Ume aoki dojinshi madoka.jpg Ume Aoki's Dojinshi "RKGKMDK" Apricot +6.jpg Megami 02.2011 Pinup.jpg Megami 02.2011 Pinup 2.jpg Madoka designs 1.jpg Artbook Madoka Drawing 2.jpg Artbook Madoka Drawing 3.jpg Artbook Madoka Drawing 4.jpg Artbook Madoka Drawing 5.jpg 408.5.jpg Animedia 2011-06 Megami 04.2011 Madoka Pin-up.jpg Megami magazine, April 2011. Nyantype 04.2011 Madoka Illustration.jpg Nyantype magazine, April 2011. BD 1 Scan 8.jpg from the Blu-Ray Volume 1 Booklet. MadokainKazumi.png Madoka as drawn by Takashi Tensugi, the artist for Kazumi Magica. MadokainOriko.png Madoka as she appears in Oriko Magica. Newtype 07 2011 p18 p19.jpg Madohomu prodsketch.jpg Early production sketch of Madoka with Homura. PN 83.jpg Kisseymadokasketch.jpg Goddess Madoka from the production notes. Madoka magica anthology 1.jpg Madoka Magica Anthology 1 Ultimate Madoka settei information 6 official art BD 6.jpg Ultimate Madoka by Ume Aoki. PN 09.jpg PN 56.jpg PN 57.jpg PN 58.jpg PN 59.jpg Animedia 2012-02 03.jpg Animedia magazine, February 2012. Madoka's ring and fingernail mark as a magical girl are visible. 618624.jpg 20111112 3d97ad-2.jpg 574169-1.jpg Notice how Madoka's Soul Gem ring and fingernail marking are visible. Chibi Madoka.jpg Madoka machiasobi taniguchi.jpg Madoka movie taniguchi.jpg Ultima Madoka Newtype Special Magazine 2012 Dec.jpg Madoka grow up family photo.jpg Madoka-weeklySPA-10-23-2012.jpg Weekly SPA special image Screenshots Madoka as a regular girl Op ep6 vs ep5.jpg Madoka x Madoka in the opening animation Madoka night clothes.jpg Closeup of sleepy-eyed Madoka in the OP Madoka sleep on QB.gif Sleepy Madoka Madoka is shy.gif Madoka is shy Madoka family.gif Madoka's family Madoka everyday life.gif Madoka everyday life Madoka Sayaka Hitomi.gif Madoka & friends Madoka wakes up.gif Madoka wakes up Madoka Sayaka Hitomi playing.gif Madoka Sayaka Hitomi playing Kaname-madoka.jpg Madoka Kaname Screenshot madoka fascinating.jpg Madoka-loveletter.PNG Madoka daydreaming about getting a love letter. Madoka-ponytail.jpg Madoka with a ponytail Madoka crying.gif Madoka crying Madoka received a gift.gif Madoka received a gift Madoka is upset.gif Madoka is upset Madoka Sketch.jpg A self-portrait. Drawing is one of Madoka's hobbies. Madoka hands.jpg Closeup of Madoka's hands in Episode 10 (TBS version), Timeline 1, when she is walking Homura to the nurse's office. She is known to be contracted by then. Note no Soul Gem ring or fingernail mark. Madoka tied up on the wheel of time.gif Madoka tied up on the wheel of time Kaname Madoka.png 340798-madoka.jpg Ep6 madoka long hair.jpg Puella111 000108.jpg 464082.jpg Puella112 000272-1.jpg Puella110 000043.jpg Puella111 000292.jpg Madoka as a Magical Girl Madoka-dodging.jpg Madoka dodging wheels Madoka-dodging.gif Madoka dodging wheels Madoka hug Homura Madoka-mahou-shoujo.jpg Madoka Kaname, Total Badass. Madoka hands 2.jpg Madoka is purifying Homura's Soul Gem in Episode 10's Timeline 3. Again, note no fingernail mark. Animated version Madokamercy.jpg Madoka-soul-gem.jpg Madoka's soul gem Madoka.png Tumblr lk2ccuqv5G1qb7j0bo1 1280.jpg Puella112 000091.jpg Vlcsnap-2011-12-08-16h50m38s0.jpg Vlcsnap-2011-12-08-16h51m14s99.jpg Vlcsnap-2011-12-08-16h51m45s157.jpg Vlcsnap-2011-12-08-16h51m48s189.jpg Vlcsnap-2011-12-08-16h51m54s246.jpg Vlcsnap-2011-12-08-16h51m59s46.jpg Mahou-shoujo-madoka-magika-10-mbs-x264-1920x1080-mp4-00001.jpg Mahou-shoujo-madoka-magica-10-large-06.jpg Madoka transformation PSP.gif Madoka's transformation in PSP GAME Madoka as a witch Madoka-grief-seed.png Madoka/Kriemhild's grief seed. Madoka-witch-first.jpg Madoka's witch transformation in the second timeline. Kaname witch form power.jpg Madoka's witch form. Madoka the Ultimate Witch.jpg A closeup of the face of the ultimate witch form of Madoka born as a result of her wish in the story timeline. Fanart Superfriends.png Many experts believe something sort of like this happened after the final episode of Madoka Magica ended Madoka fuels the Universe.png Aoki ume madoka doujin art highrez.png Fan coloring of Ume's work Madokami art front back.jpg Madoka as the Goddess/concept of Hope Fan creation Madoka Soul Gem.jpg Fan jewelry creation of Madoka's Soul Gem with a pink nebula inside (?) or a pink rose bud (?) MadoKami gundam.jpg Scary madokami.jpg You shall have no other gods before Me. That includes that wannabe Haruhi. MadoKami and Charlotte.jpg Madoka rescues Charlotte. Madoka evolution magical girl.jpg Madoka has evolved into MadoKami! It's tough to be a goddess.gif No Mahou Shoujo Predator? But they are practically born into the hunting tradition! Madoka learning how to befriend.png Madoka learning from the master. Meet the time traveler.jpg Meet the Goddess Namacha I Won't Allow That.png MadoKami already abusing her Goddess powers, and we are fine with this. Madoprince homuprincess.jpg Chibimadokami.jpg MadoKami died for our HHHNNNNNGGGGG~! Madoka pixel mugen.gif MadoKami all powerful fanart.jpg Thou Shall Have no Other Anime gods Before Me. Madoka ;p fanart.jpg Madoka afro op fanart.jpg Madoka Ben-to.jpg "And thus begins the "that character sounds like Madoka, imagine if she was the one to say that" adventures with Aoi Yuuki's characters. Madokami bow arrow aiming posture fanart.jpg AeFLl-1.jpg Miscellaneous Madoka's bow Madoka Bow.jpg Rendition of Madoka's bow; it looks like a branch with a rose on its end Madoka-bow-firing.PNG Madoka's bow in action Madoka-firing.jpg You're gonna get befriended! Animated version Madokas-arrow.jpg A close-up of Madoka's arrow Madoka-multishot.jpg Madoka using Multi-Shot Animated version PN 13.jpg Sketches from production notes. PN 14.jpg PN 22.jpg Aoi Yuki BLT Aoi Yuki.jpg Aoi Yuki. BLT magazine, 2011-6. Animedia 05.2011 Aoi Yuki DATA FILE.png Aoi Yuki Data file. Aoi yuki madoka.jpg Seiyuu aoi yuuki 2008 article picture.jpg Magical Girl Otona Anime 08.jpg

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相關條目

• Kriemhild Gretchen 小圓的魔女
• GetNavi 2011-12
• Magical Girl Magazine (Otona Anime)
• Aoi Yuki's Data file

外部連結

• CHARACTER
• 角色/鹿目圓 - KomicaWiki
• Template:Pixiv tag
• Template:Booru tag